Only a few hours rest after I returned from London, did I find myself back in full swing with the Fall term here at Art Center. Halfway through the program things are starting to make sense. The theme is simple...
Destroy ... & Rebuild
A brief look into a couple of studies done over the past few days. The key to growing in any craft is to come to an understanding that every brick layed will uiltimately lead you towards the finish. All time spent on any lesson learned is used later. So it only makes sense that in whatever you do with your time you are always fully invested. Of course you would, right? No matter how basic, or simple, or seemingly unimportant, you may not see it now but have faith that it will most definitely be called upon sometime down the line. Basic perspective may seem boring, but without that knowledge, recreating an ancient city in Greece would be that much more difficult... if it wasn't so much already.
Once again I preach that the foundation is the most important ingredient.
This term im diving back into my studies with oil as a medium. It feels great to be pushing paint around once again on a regular basis. Finding inspiration for a few fun head studies was closer to home than I thought. One was inspired by the big homie Estevan, pulling an image from his Classic book, LA WOMAN.
The other was my neighbor Gonzo. My instructor wanted me to find someone the was intense and very charismatic. He gets Gonzo. Luckily he is always willing to lend a hand when it comes to doing my homework. Don't let the tough shell fool you, underneath is a big tedybear.Â
Starting to build some momentum... stay tuned
Noah Minuksin | September 29, 2013
Longtime client Gary is back in from Texas to start sealing up the chest. Playing with the idea of time and how easily it can slip away from us if we don't don't take full advantage of every moment. Another smooth session with Gary, more to come.
Noah Minuksin | August 19, 2014
The brother Mike is in for another round with his life and death inspired collection. Homestretch with Mike as we come full circle to wrap the lower leg. Diving into the transitions that lead to the afterlife, there is a beauty that lies in death... rebirth.
The skull plays its part to symbolize mortality and the notion of memento mori, while the butterflies symbolize rebirth and growth.
âEach night, when I go to sleep, I die. And the next morning, when I wake up, I am reborn.â -Mahatma Gandhi
Noah Minuksin | March 6, 2014
They say that one's true character is like the spots of the Jaguar, not even the mightiest storm will wash themÂ away.
Honored to have an old friend in the studio, making the trip down from the bay. To much fun with this one...
Looking forward toÂ focusing on more works like this.Â
Noah Minuksin | November 17, 2014
Strong start to the trip with the good brother Callum. Picking up where we left off in Rome...
Always a soldier in the chair. A big thanks to Callum for enduring another long one with me.
Noah Minuksin | August 31, 2013
A quick Â look back from Italy, taking a break to explore Venezia.
Little did we know when we arrived it just so happened to be the first day of Carnival.
Aside from the beauty that Venice brings, one thing that stuck out from our visit was the amount of effort put into the masks worn for theÂ "La Maschera piÃ¹ bella."Â If a jury of international costume and fashion designers make the trip out to host the contest for best mask, it must be worth it..
Jose joining in on the fun..
Just to give you an idea of how many are still interested in keeping the spirit of Carnival alive
Truly a memorable visit with the brothers.
Noah Minuksin | February 17, 2013
Vatican Painting Collection
First up is a look at the Vatican Painting Collection.Â The collection contains some masterpieces of the greatest artists of the history of Italian painting, from Giotto to Beato Angelico, from Melozzo da ForlÃ¬ to Perugino and to Raphael, from Leonardo to Tiziano, to Veronese, to Caravaggio. All the Italians are here under one roof...
Also in the permenant collection is one of Caravaggio's best, "The Entombment of Christ"
A rare look into the painting process of Leonardo Da Vinci.
Of all the old masters I witnessed at the Vatican, the work of Raphael is what stuck with me. His grace, clarity and natural quality that embody his work are executed at a level of ease that seems almost too natural to be a painting.
With such a complex composition of so many figures it's hard to stay fluid and keep the work from stiffening up. With Raphael nothing is repeated, everything about his paintings feel so lifelike and natural, theres a kind of complexity that is mastered here, that no one but Raphael can achieve. In essence, nobody paints like Raphael...
Probably the most extraordinary room in the paypal pallace, are the Raphael Rooms, which at one point in time was the room that the Pope would sign important decrees and documents. When Raphael was painting these rooms, not only was the Bascilica being redesigned but Michelangelo was down the hall painting the Sistine Chapel Ceiling. These rooms are considered to hold the greatest frescoe paintings of the high rennasance. Enjoy...
The last piece I'll showcase is the most famous fresco in the collection entitled, The School Of Athens. Here Raphael depicts the greatest minds of Ancient Greece. The central figures being Plato and his student, Aristotle were the ones that laid the foundation for western philosophy and science. Plato, interested in the spiritual, the every day world, is shown pointing upward to the devine and Aristotle more concerned with the physcial and what we can observe and make sense of is shown with his hand extended level to earth. Two different ways of thinking about the world, both as influential as the next.
And of course paying respects to Michelangelo he includes him in this work below.
Noah Minuksin | April 28, 2013
How can I began to express the genius I witnessed in Florence. Let me start by giving you all a brief background on the history of this masterpiece even before Michelangelo came into the picture.Â Many had attempted to sculpt this seemingly perfectÂ block of marble before him and had given up due to the near perfect technique needed to execute this flawless marble. It was not until 25 years later, that Michelangelo would pick up where these failed attempts left off, in an attempt to finish what no other man was able. For three years Michelangelo worked in secrecy, often sleeping fully clothed so he could continue his work upon waking. Da Vinci is quoted describing him as such,Â "He looks like a baker. The marble dust ï¬ours all over him and his back is covered with a snowstorm of chips." Supreme dedication and personal torment would endure as such, up until the unveiling of the time's greatest masterpiece.
It is said that, "Anyone who has seen Michelangeloâs David has no need to see anything else by another sculptor, living or dead"
Noah Minuksin | May 23, 2012